1. |
Circle Nigun
04:50
|
|||
2. |
Let M. Mean...
03:44
|
|||
For to ask who it is
who rearranges cons
-tants of a line, two
per whose time,
to earn whose repri
-mand, whose seated
understanding under-
lines the other kind
of body un-
to whom which unre-
verses verse to
reunlign body and line.
Your-two
ask who has shown them
who ask
before the question…
"Seasons, seas, who seeks
whose sequence,
soul in-‘so is’-side
sealed in series,
so, as seeing,
scythe and co- and sine.
Sayings sorted, some,
who saying some-
thing, so inscribe:
Sight uncertain, such
are servants of
our second side…"
Let M. mean all the morn
-ings in who can’t but mean
what isn’t mourned, al-
ready-formed
by whose form readily
but never quite
completely changes words
with who’s unsure
for perfect reasons
but unreasonable persons
in the door
in neither-nor.
To-you, sinc-
ere the answer
which climbs halfway
the ladder…
"Split by symbols
skilled and simple,
stored within who swore,
sole the summand,
slight the sever-
ance so far so and forth…"
|
||||
3. |
Gal-you-lop
02:44
|
|||
Gal-you-lop you herder,
come or cause a force of show,
doesn’t matter who you think
you know, you know.
Call ‘em far, then father.
Wear you down—fall-low the stor-
-ies of matter, which to stand
and blow, must blow.
Harder is the
hand than lifts its
other up to
imitate the bow…
Mis- and ordered herded,
gath-we-ared as you alone
from a -member of re-turn
which glows a glow.
Lo-, your dream will—all by—
hold your spar-break-row, your soar,
arc-ed member un-a-winged
from yolk to yolk…
Hotter is the
draft than twists its
other up to
imitate a flow…
|
The rose constants Ithaca, New York
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