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Vanad​í​s and caesius

by The rose constants

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1.
To Karolina 03:04
Karolina by our sense of where the law lay, we load up on coal char cover up our whole face, cover each sentence with a black snowfall, with what God lent us we can lend Sky dark not for any old reason or for any new one, not that Sky would need it except for that she knew us when we brought her silver oxide, darker than it was late, pendulum upside down until it’s upset by whatever we wait for with these black looks, like oil in the sea change, Karolina just look: “...all this / is here eternally, just because once it was.” Tables of science, laws of uncertainty. Heart of gold, what’s in the arteries? A person, a forest, climb to his canopy, or richer than this, the floor of his nursery? “As late as yesterday Nature celebrated their birth, The news was brought to the mountains by a unicorn and an echo. Their friendship will be glorious, their time has no limit. Their enemies have delivered themselves to destruction.” “That had an enormous amount of charm. You pay for freedom.” Karolina might our rogue’s law yet save, watertight the tar yet to judge a rogue wave, lacuna in the preface, nowadays we skip those, blind spot or rather red-shift— we believe the visible like what we haven’t, what’s opposite the cover, dust jackets in fashion so to dust return the younger, to clay and black coral chalk where once was an equation, Earth can only get so tall before again we feed him with portraits of loved ones, let fall the holy gesso, let the analysts have some fun, Karolina just look: “You should not analyze yourself. You should not do something like I’m doing with you right now. And if we’re going to do it? We’ll assume all of that.” Children of parents of children of paradise. Constant is thanks, said only sometimes, thanks for our strength, first for our demise, then for our birth, of what was a reprise…?
2.
Herein lie flywheels, an inner lioness, your bearings all but borne a rainstorm, spring’s four widths uncovered under for which you’ve come, two thorns, like hammers full of silt, full of chance and rancid wilted baby’s breath, could you love for what you lave for partial summers, summing stones, tumbled over? Savior, neighbor, drown a crown of paper. Save yourself by being braver. Ice, sulfite, olive dust. Manganese rust. What less suspends rest. You change me like a lake. Twice by every method find another likeness, a blue shawl, an iris. Spring is misery quickly, how and ever saddened, is like Saturn, practicing, ten rings, piano, will inert, will you hurt your -self in turn, geometer? Ridicule, rid yourself of helpless -ness this crossbow is a necklace. Mystery, listing times you let it bring things, therefore, you were, drunk in its wellspring. Drop. Chlorine, canvas sheet. Half-submerged dock. In your tears are salt. Turquoise and wiry black. Is this roof then a doorway open only to your left hand, the sky’s sky before which your right stands, or this first breath a breath at all or else is it quarry, or beneath this quarry a breath innocent how in a centered way it takes my breath away like a flat stone, like a shattered component of what once you may have asked for? Ever severed, glass inside a feather, spring’s great decay snaps with zero measure. Slip, shallows. Wet-cyclic, cesium gold. This time with gusto. Dear the spring of two springs.
3.
‘We’ you half-chose to call home, ‘we’ you may say in no way rights you or invites you to stay, children of paradise, where did you go, where did you go away? ‘We’ you light for the night-door ‘we’ could come through, but with no candle its saucer flies and hovers and shakes, children of paradise, where did you go, where did you go away? ‘We’ you can’t count, makes gurgling sounds, ‘we’ full of spit does what we did, draws a bathtub waits for no one, and bathes children of paradise, where did you go, where did you go away? ‘We’ I lathed outside-in, taught to wallow in pins, ‘we’ slept as it swallowed mastic and marshmallows, then I tapped on its nose and wouldn’t you know it’s awake children of paradise, where did you go, where did you go away? ‘We’ I wrote to half-sober, ‘we,’ my first half, write back from your desk or your bed, a roof overhead or a lake, children of paradise, where did you go, where did you go away? ‘We’ you told me like a story, ‘we’ I cut terse, like verse, since words are herds astray, children of paradise, where did you go, where did you go away? ‘We’ has no share in its dark hair which you fingered so prefigured, frightened that we might have to wait, children of paradise, where did you go, where did you go away?

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released April 25, 2022

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The rose constants Ithaca, New York

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